Key Takeaways:
– Elizabeth Berkley thanked the audience during a special 35mm screening of Showgirls at the Academy Museum.
– Acknowledging the film’s initial criticisms, she appreciated the movie’s boldness and the subsequent support it received.
– Showgirls has gained newfound recognition, featured on The Criterion Channel’s Razzie retrospective.
– Berkley emphasized the film’s special place among the LGBTQ community.
– The 1995 movie is celebrated not as a so-bad-it’s-good film, but as a well-constructed film with energetic direction.
A Fresh Perspective on Showgirls
The once detested movie, Showgirls, is finally getting its long-awaited dues. In an unexpected turn of events, a special 35mm screening of the film was held at the Academy Museum. To add to the surprise, the event was sold out.
Elizabeth Berkley, who played the striving dancer Nomi, graced the event with a speech. Berkley thanked the museum cheekily for hosting the screening. She expressed her gratefulness to the audience who understood and appreciated the film’s daring narrative.
A Surprising Fandom
What’s remarkable is Showgirls’ unique fandom. Rather than enjoying it as a comedic disaster, the movie has won people’s hearts for its dynamism and craft. Notwithstanding the atrocious acting, the film parades Paul Verhoeven’s spirited direction and an eye-catching neon-and-sequin cinematography.
In her speech, Berkley notably mentioned the LGBTQ community. Celebrating the film’s meaningful bond with them, she appreciated their enduring support. In turn, the community has consistently stood for the film.
Recognition Beyond Razzies
Showgirls’ newfound recognition isn’t confined to the Academy. The previously scorned film has been featured in The Criterion Channel’s article “And The Razzie Goes To…” in a retrospective honor. This marks a tremendous change from its 1995 debacle when it won seven Golden Raspberries and was declared the Worst Picture of the Decade soon after.
Despite its initial backlash, the cast and crew demonstrated unwavering loyalty towards the film. Paul Verhoeven’s acceptance of his Razzie in person reflects their shared sentiment.
While this newfound appreciation is laudable, Showgirls remains an enduring symbol of the Razzies for most. For those seeking deeper exploration, the 2019 documentary ‘You Don’t Nomi’ sheds a new light on the film.
Showgirls — The 2024 Verdict
There’s no denying Showgirls’ tumultuous past and how it has managed to flip its image. From being a laughingstock in 1995 to a sold-out screening in 2024, Showgirls’ cinematic journey has been nothing short of a rollercoaster.
But what are your thoughts on the movie today? Has it won you over, or does it remain as deserving of its Razzie fame? Whichever side you may lean, there’s no doubt that Showgirls is an intriguing part of film history, warranting our attention and leaving us questioning our initial verdict.
In any case, we cannot ignore the enduring impact Showgirls has had on popular culture since its release almost thirty years ago. Despite its flawed beginnings, the film’s vibrant storytelling, idiosyncratic charm, and its continued support from unlikely corners all piece together to form a narrative that remains relevant, controversial, and entertaining as ever.
